bitonality Meaning in Bengali
Noun:
স্বনতা,
Similer Words:
bittbitte
bitted
bittercress
bitterer
bitterish
bitterlings
bitterns
bitterroot
bittersweets
bitterwood
bitterwoods
bittier
bittiest
bitting
bitonality শব্দের বাংলা অর্থ এর উদাহরণ:
গিটারবাদক এছাড়াও একটি সংক্ষিপ্ত ভূমিকা প্রদান করে যা স্বনতা, ক্যান্টের কম্পাস (compás) এবং লয় (tempo)-এর সমষ্টি ।
bitonality's Usage Examples:
incorporates elements from his Russian period (ostinati, shifting accents, bitonality) with rhythmic and harmonic fragments from ragtime.
List of pieces using polytonality and/or bitonality.
The use of polychords may suggest bitonality or polytonality.
The Village Voice mentions the juxtaposition of collage, bitonality, musical satire, and orchestral surrealism in a "bizarre melodic stream.
The Hell Happened", has been described as a rare example of the use of bitonality in a pop piece.
It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic.
Paul Wilson argues against viewing this as bitonality since "the larger octatonic collection embraces and supports both supposed.
between the solo viola and the oboe, are well known as a classic example of bitonality.
ground in jazz through innovative use of reharmonization, voicing, and bitonality.
basically conventional, but he attempted to incorporate new ideas, such as bitonality, polytonality, and atonality.
composer with more eclectic musical tastes, features more dissonance and bitonality.
and in the following decade her style moved towards neo-classicism and bitonality with some use of jazz idioms.
These included forays into bitonality and non-functional, parallel harmony.
somewhat infamous piece is Der Juden Tanz, often cited as an example of bitonality "not lacking a touch of satire".
Interlude II Variation V Coda The interludes are Ives's first notated use of bitonality: the first combines F major for the right hand and D-flat major for the.
transposition" (the octatonic scale) in favor of a "black key/white key bitonality" which results from, "Stravinsky's well known habit of composing at the.
central "Qui Tollis" juxtaposes F major against the prevailing D / F-sharp bitonality and contrasts short phrases for solo voice with those for tutti unison.