Noun:

চুল্লীর উপরের তাক,

chimneypiece's Usage Examples:

The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the.

between 1847 and 1860, in the form of a heraldic chimneypiece.

It is copied from the mediaeval chimneypiece in the Bishop's Palace, Exeter, installed c.

1888) installed a heraldic chimneypiece in the Dining Hall in memory of his grandfather Reginald Courtenay (1741–1803).

The chimneypiece in the drawing room came from Ralston House.

The chimneypiece and two chairs from the Bishop's House are now held in the collection.

Caryatid in the chimneypiece by Alfred Stevens 1908.

Right Caryatid in the chimneypiece by Alfred Stevens 1908.

The unfinished chimneypiece of Alfred Stevens.

plasterwork and a black marble chimneypiece.

The drawing room has more delicate plasterwork, and a marble chimneypiece decorated with dancing figures.

The house contains a notable chimneypiece by William Palmer installed in 1739.

Within the house is a chimneypiece by Sir John Soane, which was brought from the old Bank of England.

floor-to-ceiling sandstone-and-oak chimneypiece.

To the south was a long billiard room, with a carved-oak chimneypiece and twin French doors opening onto.

The 11th Earl installed a heraldic chimneypiece in the Dining Hall at Powderham Castle in memory of his grandfather Reginald.

the drawing room with limed chestnut Elizabethan jewel panelling and a chimneypiece from Hinchingbrooke Hall with very fine Jacobean style plaster ceiling.

There is a wood and stone chimneypiece of the same age.

Here he produced two chimneypieces in white marble inlaid with the scagliola embellishments directly into.

in the 18th century it was enhanced with an open stairwell, a stone chimneypiece, and wood panelling in the principal rooms.

Nost also provided a number of chimneypieces in the house as well as for Sir Thomas's London house in St.

example, the larger, south-facing, drawing room has a Carrara marble chimneypiece with giallo antico columns and three cameos in the frieze, of Queen Victoria.

The chimneypiece in the drawing room is identical to a Wyatt chimneypiece at Curraghmore, Co.

forbidding by deciding to greet the visitor with a welcoming central chimneypiece in white marble facing the front door.

The chimneypiece of the salone is assumed to be the work of Giuliano da San Gallo.