Noun:

ট্রাপিজ খেলোয়াড়,

serialist's Usage Examples:

"serial" in the strict sense, all his major works of the period have clear serialist elements.

Wuorinen's work has been called serialist, but he came to disparage that term as meaningless.

is followed by a series of variations in the styles of waltz, atonal/serialist, oriental, jazz, a variation where the treble and bass sections are inverted.

in Paris after the Second World War, and teaching a new generation of serialist composers.

was during this time that Rautavaara had become disenchanted with the serialist and twelve-tone techniques of his previous works, and abandoned them in.

The music is influenced by Britten's interest in twelve-tone serialist techniques.

Fricker taught him the intricate details of serialist music, and to discipline his musical imagination.

1957–1975) and serialist (from 1976 onwards).

work as a free improviser and the composer of ambitiously complex post-serialist works.

He adopted the serialist technique in the 1950s and was one of a number of Polish new wave of composers.

Although a proponent of twelve-tone technique Jachino wasn't always a strict serialist.

influence of her mentors at Columbia University and is rooted in the serialist tradition, whose sparse texture complemented her interest in chamber music.

twentieth-century composers heavily influenced by Johannes Brahms—in particular, serialist composers such as those of the Second Viennese School.

techniques," the Second Quartet's language is neither neo-Expressionist or serialist; rather, it uses Schoenberg's fierce logic to create the impression of.

required for concept sharing and described the learning styles holist, serialist, and their optimal mixture versatile.

(born 1959) Jani Christou (1926–1970), 20th-century classical and "meta-serialist" composer Dinos Constantinides (born 1929), Greek-American composer Dimitris.

the method, and the primary proponent of it in Italy, and he developed serialist techniques to allow for a more lyrical, tonal style.

His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant.