(সংগীত

submediant's Usage Examples:

In music, the submediant is the sixth degree () of the diatonic scale, the lower mediant—halfway between the tonic and the subdominant ("lower dominant").

In music, chromatic mediants are "altered mediant and submediant chords.

pseudo-phrygian, in which the seventh and often fifth are given prominence, and submediant-octave mode.

The other secondary functions are the secondary mediant, the secondary submediant, and the secondary subtonic.

for their function: tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic or leading note (leading tone in the United States), and tonic.

modulates only to closely related keys (the dominant, supertonic, and submediant).

For example, the secondary triad on the sixth degree [submediant] of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel.

Beethoven would later continue to use the mediant and submediant as expositional goals for major-key sonata-form movements, such as the.

just tuning of this interval, but one possibility, assuming the flat submediant is a perfect (5:4) major third below the octave, and the leading tone.

The submediant (vi) may be considered a predominant chord or a tonic substitute.

slowly) and is in the key of B major (with a modulation to the flattened submediant, G major, in the middle).

Its most common occurrence is built on the lowered submediant of the prevailing key, in which position the interval assumes a natural.

expressive second movement, in the key of D-flat major (the flattened submediant), opens with a sustained violin melody over an accompaniment consisting.

major, modulates to the submediant G major, and String Quartet No.

13 in the same key modulating to the flattened submediant key of G♭ major.

root-position augmented tonic triad → 1st inversion submediant minor triad.

A famous example of the Russian submediant occurs in the very opening bars of the third.

contrasts between soft and loud, and the unexpected entry of G-flat, the flat submediant, in the fifth bar.

127: A♭ → E (lowered submediant) – penultimate variation → D♭ (subdominant) → final variation Op.

125: D → B♭ (lowered submediant) – penultimate variation.

chord; the third movement follows immediately, and that chord becomes the submediant triad (with raised third) of the new movement's key of E-flat major.

Schubert's harmonic language is innovative, incorporating many mediants and submediants.

submediant's Meaning':

(music

Synonyms:

note; tone; musical note;

Antonyms:

ignore; low status; hypotonia; hypotonus;