Adjective:

হৃদ-সংকোচন-সংক্রান্ত,

syntonic's Usage Examples:

In music theory, the syntonic comma, also known as the chromatic diesis, the Didymean comma, the Ptolemaic.

Dynamic Tonality paradigm, the meantone temperament is defined as "the syntonic temperament with its tuning range constrained to be from P5=694.

known as Ptolemaic sequence,justly tuned major scale, or syntonous (or syntonic) diatonic scale, is a tuning for the diatonic scale proposed by Ptolemy.

The word comma used without qualification refers to the syntonic comma, which can be defined, for instance, as the difference between an.

of the historical meantone tunings, which distribute or temper out the syntonic comma.

conflict with the ego (or ego-syntonic instincts)".

Otto Fenichel distinguished between morbid impulses, which he saw as ego-syntonic, and compulsive symptoms.

skhisma) is the interval between a Pythagorean comma (531441:524288) and a syntonic comma (81:80) and equals 5(38)⁄215 or 32805:32768 = 1.

A diaschisma is the difference between a schisma and a syntonic comma, as well as the difference between the greater chromatic semitone.

"+" with a "♯" to indicate a note is raised 92 cents, the value of the syntonic comma and the just chromatic semitone.

tuning system; it assumes this name because it is an approximation of the syntonic comma (21.

His original version has six fifths tempered by 1⁄6 of a syntonic comma, five perfectly just, and one tempered by a schisma.

Their size differs by exactly one syntonic comma (81:80, or about 21.

19 EDO is the tuning of the syntonic temperament in which the tempered perfect fifth is equal to 694.

In this system the perfect fifth is flattened by one quarter of a syntonic comma (81:80), with respect to its just intonation used in Pythagorean.

During 1897-1900 wireless researchers realized the advantages of "syntonic" or "tuned" systems, and added capacitors (Leyden jars) and inductors (coils.

just by 1⁄4 of a syntonic comma (about 5 cents, Play (help·info)), and the major third F♯-A♯ (B♭) wider than just by a full syntonic comma (about 22 cents.

" Alternatively, it can be described as the tuning of the syntonic temperament in which the generator is the ratio 3:2 (i.