iconographical's Usage Examples:

specialist on early medieval churches and another German émigré, extended iconographical analysis to architectural forms.

shepherd's shawm) is a late 20th-century reconstruction following certain iconographical sources of a cylindrical double-reed wind-cap instrument with flaring.

also known as Heramba Ganapati (Heraṃba-gaṇapati), is a five-headed iconographical form of the Hindu god Ganesha (Ganapati).

murals of Tukharistan as seen in Balalyk Tepe, from which they received iconographical and stylistic influence.

festival in Cythera, Thebes, or Elis, it likely occurred since textual and iconographical sources indicate that Aphrodite Pandemos had a cult following in these.

( पाणिंग्रहण-मूर्ति) ("icon related to panigrahana ritual"), is the iconographical depiction of the wedding of the Hindu deities Shiva and Parvati.

Armenian symbol of eternity had become a long established national iconographical practice, and it keeps its meaning until the modern times.

It is satire of Australian outlaw Ned Kelly, and his iconographical status as a "hero.

Though iconographical treatises describe him to eight-armed, he is often depicted with four.

The image continued to spread and develop iconographical complexity until well after the Renaissance, but the Man of Sorrows.

illustration - showing the practice of trades - was a tradition with an iconographical history going back to late Roman astronomical texts showing the "Labours.

Saint Expeditus Expeditus with his typical iconographical attributes.

Medieval tomb towers of Iran : an iconographical study.

Texts According to the iconographical treatise Amshumadbhedagama, Gajasurasamhara-Shiva dancing inside the.

In addition to its aesthetic qualities, it is valued as an iconographical source for ancient Greek religion.

Hindu scriptures, Vaikuntha-Kamalaja is mentioned in few Tantric and iconographical texts and no tale of the origins of this form is found in Hindu legends.

bambocci-figures correspond with each other and are composed in a certain iconographical context, such as the Expulsion from the Garden of Eden on one cabinet.

The representation of women in Art Nouveau is limited to iconographical types developed from a preoccupation with relatively few themes: the.